The player must avoid or run from Pirates, as without her Power Suit, Samus has no way to kill her pursuers. What was a rather traditional Metroid experience quickly shifts into an extended side-scrolling stealth section. Without her armor, she's forced to try and sneak her way through Pirate occupied territory until she can find some way to escape. When Samus emerges from the wreckage of the ship, she finds that her Power Suit has been destroyed as well.
Instead of escaping normally like she does in Metroid 1, Samus boards her ship and is almost immediately shot down by a battalion of Space Pirate ships, sending her crash-landing back onto Planet Zebes.
Zero Mission's plot proceeds in much the same way as the original Metroid, but after you defeat Mother Brain and reach the point where the first Metroid ended, things take a turn for the. Any attempt to remake the original Metroid is going to seem like a short release by comparison, and this brings me on to what Zero Mission is perhaps most famous for. Still, a remake of Metroid inevitably had to contend with the fact that Super Metroid, which by and large is simply a bigger and more extensive evolution of the original Metroid, exists. A number of new bosses were added into the mix as well, predominantly minibosses to even out the pace in-between the major boss fights. The original NES title depicted both Kraid and Ridley as a little taller than Samus, for example, but Zero Mission’s incarnations are more in line with Super Metroid’s towering behemoths both multiple times Samus’ size. There’s a much greater variety of enemies, and boss designs were remade to fit more modern interpretations.
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Zero Mission has a hefty amount of updates beyond just the new tools at Samus’ disposal and the obvious hefty graphical upgrade though. Samus’ ability to grab onto ledges is also brought over from Fusion, allowing for much more seamless traversal. Navigating the world is also much easier thanks to a fully-fledged map, which details the various caverns underneath Zebes. Samus moves much more like her Super Metroid and Fusion versions compared to her rather slow pace in the NES title. Zero Mission brought Metroid for the NES up-to-date with modern mechanics, abilities, and other quality of life improvements. Yoshio Sakamoto aimed to resolve these problems in one fell swoop by releasing a remake of the first Metroid game for the GameBoy Advance, titled Metroid: Zero Mission. On top of this, the first two Metroid games were dated quite heavily. Without any sort of eShop, players would be unable to play Samus' original adventures without purchasing older hardware (and isn't it nice how this has never become a problem for Nintendo ever again).
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New fans of the series were short on ways to play the older Metroid titles.
Metroid had never been this popular before.īut this presented a problem of sorts, one which most series with an interconnected, long-running timeline encounter sooner or later. Largely buoyed by the critical and financial success of Metroid Prime (at least, relative to other Metroid releases), Metroid saw a whopping six new titles between 20, as well as one rather bizarre pinball spin-off that wound up being much better than it had any right to be. After an eight year hiatus, Metroid burst back onto the scene in dramatic fashion. The early-mid 2000s saw something of a golden age for Metroid games. By Paul Broussard, posted on 07 October 2021 / 2,863 Views
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